![]() The notes of a scale are numbered by their steps from the first degree of the scale. The distance between two successive notes in a scale is called a scale step. For instance, the increasing C major scale is C–D–E–F–G–A–B–, with the bracket indicating that the last note is an octave higher than the first note, and the decreasing C major scale is C–B–A–G–F–E–D–, with the bracket indicating an octave lower than the first note in the scale. ![]() An octave-repeating scale can be represented as a circular arrangement of pitch classes, ordered by increasing (or decreasing) pitch class. ![]() Most scales are octave-repeating, meaning their pattern of notes is the same in every octave (the Bohlen–Pierce scale is one exception). Scales are typically listed from low to high pitch. For example, C major indicates a major scale with a C tonic.īackground Scales, steps, and intervals Typically, the name of the scale specifies both its tonic and its interval pattern. The tonic of a scale is the note selected as the beginning of the octave, and therefore as the beginning of the adopted interval pattern. Based on their interval patterns, scales are put into categories including diatonic, chromatic, major, minor, and others.Ī specific scale is defined by its characteristic interval pattern and by a special note, known as its first degree (or tonic). from C to D), and H stands for half-step (e.g. For instance, in a chromatic scale each scale step represents a semitone interval, while a major scale is defined by the interval pattern W–W–H–W–W–W–H, where W stands for whole step (an interval spanning two semitones, e.g. However, there is no need for scale steps to be equal within any scale and, particularly as demonstrated by microtonal music, there is no limit to how many notes can be injected within any given musical interval.Ī measure of the width of each scale step provides a method to classify scales. A musical scale represents a division of the octave space into a certain number of scale steps, a scale step being the recognizable distance (or interval) between two successive notes of the scale. ĭue to the principle of octave equivalence, scales are generally considered to span a single octave, with higher or lower octaves simply repeating the pattern. Often, especially in the context of the common practice period, most or all of the melody and harmony of a musical work is built using the notes of a single scale, which can be conveniently represented on a staff with a standard key signature. A scale ordered by increasing pitch is an ascending scale, and a scale ordered by decreasing pitch is a descending scale. In music theory, a scale is any set of musical notes ordered by fundamental frequency or pitch. This is extremely important for students of guitar that are confused or don't have much of an idea on how to choose fingerings for a piece.The C major scale, ascending and descending I definitely want to encourage you to use the sheet music with tabs version as it contains my fingering suggestions for both hands. My classical guitar sheet music & classical guitar tabs are available here. The piece itself is probably around grade 3 or 4 Trinity College of London or Associated Board of Royal Schools. ![]() Compositionally the piece uses sequences which is simply put a main phrase or motif that is played in a similar way at a higher or lower points within the scale. Performance PointsĪs the title suggests the piece is in the key of G major. Because all of the other pieces in the notebook were composed by her husband Johann or members of the Bach family it was assumed that he had also written this lovely little Minuet in G but thankfully when this piece was discovered in Petzold's harpsichord suite the assumption was found to be incorrect and the authorship was rightfully changed to Petzold. This piece and another minuet were added by Anna Magdalena Bach to her 'Notebook for Anna Magdalena Bach' in 1725. ![]() For many years this piece was attributed to Johann Sebastian Bach but in recent years scholars unearthed information that led to Christian Petzold being named as the original composer. It's gentle flowing melody is immediately recognisable and it has been transcribed for many instruments and is often played by musicians at the advanced beginner level. Minuet in G by Christian Petzold has become a firm favourite for classical guitarists all around the world. ![]()
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